reading

Recommended short stories

I have been devouring short stories recently and have come across a few I can heartily recommend. And lucky us, these are all available online.

“A Buyer’s Guide to Maps of Antarctica” (2008) by Catherynne M. Valente

A lovely, unique format, as described by the title, with the intertwining lives of rival cartographers battling across history. A sample:

One may only imagine an unremarkable Saturday supper in the ice shadows and crystalline sun-prisms in which Villalba, his apron stained with penguin oil, his thinning black hair unkempt, his mustache frozen, laid a frost-scrimmed china plate before Acuña. Would he have removed his glasses before eating? Would they have exchanged words? Would he have looked up from his sextant and held the gaze of the mild-eyed Maldonado, even for a moment, before falling to? One hopes that he did; one hopes that the creaking of the Proximidad in one’s mind is equal to its creaking in actuality.

“Celadon” (2009) by Desirina Boskovich

Simple story, but pretty and feeling both old fashioned and new all at once, like a classic SF tale. As a side line, an affecting portrayal of the complications of relativity on travel and relationships. Sample:

“We descended closer and closer, and the surface of the planet was this beautiful green. So we called it Celadon. We sent the bots down to do readings, investigate the surface, see if it was safe. We had to wait for a while, but I already knew. I felt it, somehow, you know? We were home. By that time, I was already expecting you.”

“Hard Time” (2005) by Mark W. Tiedemann

Big Brother meets Reality TV, with a dash of the Crime & Investigation network. Worth reading twice for the multiple layers.

The cell is six by six. Somehow, on television, it looks smaller. There is a cot that folds down from the wall, a steel sink, and a steel toilet bowl. Unlike standard cells, there is no desk. All I do in the cell is lie on the cot, eat twice a day from the tray that slides through the door and hangs there, wash my hands and face, and eliminate bodily waste. I am without hope. I am serving hard time. People see me and know that prison life is dull, empty, merciless. Hard time, authentic scenes of prison life, brought to you by your tax dollars, four hours a day, except on Sunday.

“A Keeper” (2004) by Alan DeNiro

An artist in Brasilia, bound to paint portraits of King Juan Juan, finds he has been enslaved by a virus from a keeper, something of a sexual pet master — but remembers nothing of it. Solving the mystery and saving his life, an old story but set in a fantastical version of Brazil in some indefinite future, with hints of greater depth and lots of stuff going on behind the scenes.

Brasilia is a nice place to visit, but I wouldn’t want to live there. But wait, I do live there. I mean, here. My job feeds the bills. I am a painter in the King Juan Juan Center for the Arts. My body of work, like every other painter’s at the Center, consists entirely of portraits of King Juan Juan, which tend to adorn every third block of Brasilia, half the billboards, and most private and shared huts.

Because of the methane corrosion, I can say it is steady work.

“Let Yourself Look Spiny” (2008) by Richard Howard

Winner of the 2008 Weird Tales Spam Fiction Contest, this memorable short work manages to be both funny and creepy all at once. And if you’ve known anybody addicted to extreme piercing, this doesn’t feel all that outlandish.

“Bone Exposure is sort of like paleontology,” said Connie, pulling her jumper down and turning around. “Your bones are fossils waiting to be revealed. The process takes about eight hours and involves picking away the flesh covering the desired bones with scalpels and chemicals. So far we’ve been one hundred percent successful. Not one single person has come back to complain about re-growth.”

She’d just shown me the option I’d selected: a total exposure of the vertebrae of the spine. It looked incredible.

“The Limner” (2009) by Julian Barnes

Touching story about a deaf portrait painter in a conflict with his domineering client demanding how he is to be painted.

The fellow, like many another, had imagined that merely opening his mouth wider might be enough to effect communication. Wadsworth had watched the pen travel across the page, and then the fore-finger tap impatiently. “If God is merciful,” the man had written, “perhaps in Heaven you will hear.” In reply, he had half smiled, and given a brief nod, from which surprise and gratitude might be inferred. He had read the thought many times before. Often it was a true expression of Christian feeling and sympathetic hope; occasionally, it represented, as now, a scarcely concealed dismay that the world contained those with such frustrating defects. Mr. Tuttle was among the masters who preferred their servants to be mute, deaf, and blind—except when his convenience required the matter otherwise.

“Unique Chicken Goes in Reverse” (2007) by Andy Duncan

An awesome story even without the ending, but the revelation makes it emotionally satisfying. One of my favorites.

The back of the house was much shabbier than the front, and the yard was a bare dirt patch bounded on three sides by a high wooden fence of mismatched planks. More brick walls were visible through the gaps. In one corner of the yard was a large chicken coop enclosed by a smaller, more impromptu wire fence, the sort unrolled from a barrel-sized spool at the hardware store and affixed to posts with bent nails. Several dozen chickens roosted, strutted, pecked. Father Leggett’s nose wrinkled automatically. He liked chickens when they were fried, baked or, with dumplings, boiled, but he always disliked chickens at their earlier, pre-kitchen stage, as creatures. He conceded them a role in God’s creation purely for their utility to man. Father Leggett tended to respect things on the basis of their demonstrated intelligence, and on that universal ladder chickens tended to roost rather low. A farmer once told him that hundreds of chickens could drown during a single rainstorm because they kept gawking at the clouds with their beaks open until they filled with water like jugs. Or maybe that was geese. Father Leggett, who grew up in Baltimore, never liked geese, either.

Thanks to these folks for providing the stories above. I can tell you the free access has already produced a few sales and one subscription for me, with more likely to come.

Also thanks to the LA Times Jacket Copy blog for their recent article, “Where to find the best new short stories”.

Networking Nabokov's Pale Fire


“Nabokov - Pale Fire and Treo” - photo by Josh DiMauro.

So Josh DiMauro (Paper Bits) has had the notion to in a sense return Nabokov’s Pale Fire to index cards, and in the process create another way to experience the story — as a “networked” book.

[…] I’d like to take Pale Fire (which is sort of about, and definitely revolves around, an autobiographical poem written in pencil on index cards), and make an edition of it with the poem printed both traditionally (in the first section), and also on index cards. These would be spread through the pages of the book, which is ostensibly a criticism of the poem itself (although it isn’t really, and the book should certainly be read to see why).

What makes the idea seductive to me is that you could easily use semacodes to link the cards (and individual notes on the poem’s stanzas in the “commentary” pages) to an online, networked version. I imagine it as being like a blog, with wiki-style comments.

Read more…

New etexts on Project Gutenberg

New or updated etexts of interest on Project Gutenberg:

illustration of two astronauts, one of whom is being thrown by explosion in background

Dead World (1961) by Jack Douglas

Out on the ice-buried planet, Commander Red Stone led his Free Companions to almost certain death. They died for a dangerous dream that had only one chance in a thousand trillion to come true. Is there a better reason for dying?

First published in Amazing Stories May 1961.

View from the Air-ship, over the Canals and the City of Sirapion

To Mars via The Moon: An Astronomical Story (1911) by Mark Wicks

“What a splendid view we then had over the country all around us!… Across the country, in line after line, were the canals which we had been so anxious to see, extending as far as the eye could reach!”

Agrippa: A Book of the Dead rebooted

A poignant experience on two fronts — via BoingBoing and Slashdot, William Gibson’s 1992 “Agrippa (a book of the dead)”, an electronic poem that came on a 3.5” Mac floppy and which, once it had been read, would encrypt itself into illegibility. Much to love about the concept (see Wikipedia for more info).

The researchers who captured the original Mac experience posted a video of it. Their website is currently slashdotted, boingboinged, and dugg into oblivion, so check out the currently vaporized post and video in a few days.

Meanwhile, you can read the poem at Gibson’s site. His introduction:

“AGRIPPA, A Book of the Dead” is a longish poem written in 1992 for a multi-unit artwork to be designed by artist Dennis Ashbaugh and “published” by art-guy Kevin Begos. Ashbaugh’s design eventually included a supposedly self-devouring floppy-disk intended to display the text only once, then eat itself. Today, there seems to be some doubt as to whether any of these curious objects were ever actually constructed. I certainly don’t have one myself. Meanwhile, though, the text escaped to cyberspace and a life of its own, which I found a pleasant enough outcome. But the free-range cyberspace versions are subject to bit-rot, it seems, so we’ve decided to offer it here with the correct line-breaks, etc.

“Agrippa” is the name of the particular model of Eastman Kodak photograph album my father kept his snapshots in.

On a semi-related note, check out the fun “Dr. Gunn’s Organic History Supplement for The Difference Engine”, a dictionary of terms for the Gibson and Sterling novel.

A command line ebook reader

I was casting around for a replacement for the excellent Tofu screen text reader for Mac, due to some encoding issues. Always wont to explore the command-line options, I turned first to the ubiquitous less pager, available on pretty much every unix-alike system out there.

The only real drawback to less is its apparent inability to wrap long lines at spaces rather than chopping words in the middle and sans hyphenation. This isn’t a problem on hard-return files like a Project Gutenberg ebook, but makes for difficult reading otherwise. (The opposite is the case for Tofu, which requires a bit of manual column widening to compensate for the hard returns.)

Doing a bit of poking around, I re-discovered the also-ubiquitous fmt command, which does word wrapping to a fare-thee-well, though doesn’t do paging.

Combining the two commands gives the best of both in classic Unix fashion:

fmt 1911EthanFrome.txt | less

You can also use options to enhance the experience. less -m will give you a prompt showing how far along you are in the file; see man less for others.

The pager recognizes vim movement keys, which I love. Plus you can hit the v key at any time to drop into vim, edit the file, and then return to less. Spiffy.

Of course, you could just use vim (or your favorite text editor), but I like the simplicity without the overhead. Unlike other options, less doesn’t read the entire file into memory before displaying it, a definite advantage on big documents.

Another Tip: If you’re in a Mac Terminal window, right click on a word or phrase to search for it in Google or Dictionary.

Bonus tangential tip: if you don’t care about downloading the text files but want to stick to reading Project Gutenberg files in the terminal, why not use lynx or ELinks?

screenshot of terminal window showing lynx web browser viewing the Edith Wharton novel Ethan Frome on Project Gutenberg

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